Published in April 2012. Read the full article.
From the piece:
Clark’s production skills on Totems Flare, Body Riddle or Clarence Park are so pronounced that you almost want to pick your favourite note in the world and ask him to record it for you, on continuous loop, so you can listen to it forever. But appreciation of Chris Clark’s music so often focuses on his production skills, to the detriment of an appreciation of his performance.
Iradelphic, which has evolved out of Clark’s live shows, marks a change and may be a little surprising to longstanding fans of the man – it’s less ethereal, more compact and cohesive than the electronic experiments of Clarence Park.
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